In the Heart of the Sea (2015) [Blu-ray]
Action | Adventure | Biography | Drama | History | Thriller

In the winter of 1820, the New England whaling ship Essex was assaulted by something no one could believe: a whale of mammoth proportions with an almost human sense of vengeance. This real-life maritime disaster would inspire Herman Melville's Moby Dick, but Melville's book only told half the story. Experience the harrowing aftermath as the pummeled crew battles storms, starvation, and despair, and the men are to do the unthinkable in order to survive. Ron Howard directs this astonishing true story based on the best-selling book by Nathaniel Philbrick. Chris Hemsworth stars as the vessel's veteran first mate and Benjamin Walker is the ship's less-than-experienced captain.

Storyline: In the winter of 1820, the New England whaling ship Essex was assaulted by something no one could believe: a whale of mammoth size and will, and an almost human sense of vengeance. The real-life maritime disaster would inspire Herman Melville's Moby-Dick. But that told only half the story. "In the Heart of the Sea" reveals the encounter's harrowing aftermath, as the ship's surviving crew is pushed to their limits and forced to do the unthinkable to stay alive. Braving storms, starvation, panic and despair, the men will call into question their deepest beliefs, from the value of their lives to the morality of their trade, as their captain searches for direction on the open sea and his first mate still seeks to bring the great whale down.

Reviewer's Note: Reviewed by Michael Reuben, March 9, 2016 Director Ron Howard's In the Heart of the Sea isn't a bad movie, but it isn't a very good one either. Based on a famous 19th Century maritime catastrophe, the film suffers from an identity crisis. It purports to tell the true story of the 1820 sinking of the whaling ship Essex and the harrowing escape of its surviving officers and crew, which was the subject of author Nathaniel Philbrick's 2000 book of the same title. But Howard also wants to capture some of the grandeur and mystery of Moby-Dick, the great American novel by Herman Melville that drew on the Essex disaster for inspiration (along with multiple other sources). Moby-Dick has been adapted for screen and TV many times, most famously by John Huston in the 1956 film starring Gregory Peck as Captain Ahab. Howard's film isn't Melville's novel, but it tries to borrow some of that classic's epic cachet by inserting Melville into the story. With a script by Charles Leavitt (Blood Diamond), In the Heart of the Sea (or "ItHotS") vacillates between a dramatization of the Essex story and a covert remake of Moby-Dick—and fails at both tasks.

ItHotS shoehorns Moby-Dick into its story by inventing a "framing device" that never happened. In 1850, writer Herman Melville (Ben Wishaw, badly miscast) tracks down the former cabin boy of the Essex, Thomas Nickersoon, who is the only living survivor of the disaster. Nickerson is played by Brendan Gleeson as an adult and by Tom Holland (Wolf Hall) as the lad who went to sea. The real Nickerson did indeed write a late-life memoir about his experiences, but he never met Melville, who learned about the Essex through an account by First Mate Owen Chase published shortly after Chase returned to Nantucket in 1821. In Howard's film, though, Melville's effort to pry painful memories from Nickerson becomes half the story. Michelle Fairley (24: Live Another Day) has the thankless job of playing the wife who forces her husband to spill his secrets for both the good of his soul and the fee that Melville is offering.

Although the film's Melville doesn't even remotely resemble the real author, the scenes between Melville and Nickerson might still work if they merely bookended the film. But ItHotS keeps interrupting its tale of the Essex's final voyage to cut back to the author and his source, as if their conversations are meant to infuse an already remarkable tale with some larger meaning. It's not clear, though, what that meaning is supposed to be. In the film, Melville expresses doubts about his ability to do justice to the story, but the real Melville never attempted to tell the story of the Essex. He invented a fictional ship, the Pequod, which he transformed into a microcosm of the world, with a fictional crew and a captain so bent on revenge that his very name, Ahab, has become synonymous with obsession. Melville didn't even use the second half of the Essex history, in which the survivors of the ship's sinking endure unimaginable hardships before their ultimate rescue. His tale of Ahab's self-destructive quest ends with the captain's death and the destruction of his vessel, after which the novel's narrator, Ishmael, is quickly found by a passing ship.

No such memorable characters appear in the flashbacks through which ItHotS tells the story of the Essex. Howard assembles a crew defined by broad strokes or, in many cases, none at all. The experienced first mate, Owen Chase (Chris Hemsworth, Thor), has left a pregnant wife (Charlotte Riley) behind him and chafes at being passed over for the captaincy of the Essex because of class prejudice and the fact that he's not a native son of Nantucket. The captain, George Pollard (Benjamin Walker, Abraham Lincoln: Vampire Hunter), is the scion of a prominent naval family, who has been given the rank because of connections rather than merit and suffers Captain Queeg-like insecurity, coupled with distrust of the more experienced men under his command, including (indeed, especially) Chase. Nickerson, the cabin boy, is a frightened kid eager to please, and one would be hard-pressed to describe the other crew as anything more than generic seaman, although they're played by such capable actors as Cillian Murphy (Batman Begins), Frank Dillane (Harry Potter and the Half-Blood Prince ) and Joseph Mawle (Ripper Street).

Rather than develop the characters, ItHotS relies on action sequences and special effects to create a sense of awe: a deadly squall that nearly swamps the ship, the voyage's first killing of a whale and, of course, the sinking of the Essex by a huge sperm whale, after the ship has left the fished-out waters of the Atlantic and sailed into the unknown reaches of the Pacific seeking a bountiful harvest of which they learn from a Spanish captain they meet in Ecuador, Clemente Pelaez (Jordi Mollà). Though he appears on screen only briefly, Captain Pelaez is one of the more memorable characters in the film, because he has both the physical injuries and the scarred demeanor to suggest a tale worthy of Melville. The film's Melville tells the audience that he's "haunted" by the history of the Essex, but Pelaez shows what it means to have encountered something so huge and horrifying that it has transformed him.

The film's second half depicts the part of the story that Melville omitted, as the survivors of the Essex waste away in lifeboats, thirsting under a merciless sun and starving to the point where they resort to cannibalism. As grim as the circumstances become, ItHotS never gives the characters an opportunity to reveal themselves. The reconciliation between the feuding Captain Pollard and First Mate Chase feels halting and perfunctory. Even the periodic reappearance of the whale that sank the ship, with the suggestion that the hunters have now become the hunted, fails to generate any wonder or introspection. When the survivors are finally recovered, there's no feeling of triumph, only exhaustion and an overriding sense that chance is mysterious and unpredictable.

ItHotS doesn't have a single memorable exchange of dialogue or a glimpse into the inner life of any of its characters. When Pollard and Chase return to Nantucket, they look weather-beaten but otherwise unchanged, and Howard's last-minute attempt to extract drama from the question of whether they'll participate in a cover-up for the good of the whaling trade falls flat. The effects are more memorable than the characters: computer-generated whales, pitching decks, crumbling masts, cascades of water, men plunged into the sea. It's an action film in 19th Century garb that the director and screenwriter have tried to elevate into something more by having stick figures named "Melville" and "Nickerson" repeatedly tell the audience (and each other) how awesomely meaningful it all is.

The tale of the Essex is a remarkable story. It offers the high adventure of a shipwreck and prolonged effort at rescue. It provides a window into the life of whalers at sea and an overview of a colorful, bygone industry that, as several of the characters note, provided light and fuel to the world in the era before gas and oil. There's even the possibility of a Captain Bligh/Mr. Christian conflict in the characters of Pollard and Chase (an option with which ItHotS flirts but doesn't develop). Above all, the story provides an opportunity to explore both the hubris of human illusions that nature can be mastered and the intimate drama of conflict and cooperation among individuals pushed to the edge—the same explosive mixture that James Cameron exploited so effectively in Titanic. Howard's film touches on all of these elements, then shortchanges them in an effort to invest the story with Melville's profundity. He would have been better off remaking Moby-Dick. A decent Blu-ray, especially for the audio, but not recommended as a film.

[CSW] -2.4- A lot of people have complained that the background didn't look "realistic", but I don't think it was meant to - The images were those of memory - almost dreamlike. As someone who loves intricate and accurate mise-en-scène, this dreamlike quality prevented me from wanting to add this film, or the 3D version of this film, to my library. Because of the very nature of whaling and being stranded at sea parts of this story are gory but you understand, dark, but you understand even better. My biggest complaint besides the dreamlike mise-en-scène, is that I didn't get the deep character development that I was expecting. So although I can't completely pin down what it was that was missing from this film, I know that whatever it was, it IS missing.
[V4.0-A5.0] MPEG-4 AVC - D-Box 10/10.


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